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AMI CLARKE

MEETING THE LOUGH ON ITS OWN TERMS

A partnership with Friends of the EarthDigital Art StudiosSonic Arts Research Centre and PS² (Belfast),

and Banner Repeater (London) 

Ami Clarke

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EXHIBITION PS2 GALLERY, BELFAST AUG-SEPT 2025

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pictures from the opening of

Meeting the Lough On Its Own Terms by Ami Clarke exhibited Aug-September 2025

at PS2 Gallery, Belfast

EXHIBITION BANNER REPEATER GALLERY, LONDON 2026

documentation: video capture of the work installed at Banner Repeater Feb - May 2026 

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Algae blooms offer a symptom of the climate crisis that emphasises the interconnectedness of vulnerable ecosystems with human-made systems.

Meeting The Lough On Its Own Terms emphasises a symbiotic approach to developing the Rights of Nature at Lough Neagh; a live ecocide, where the largest body of water in Ireland and the UK became overwhelmed by algae blooms, the complexity of which includes decades if not centuries of extractive forces and neglect. The sound and video installation with footage from the Lough at multiple scales, draws upon a collective writing project and conversations over 2.5 years with Friends of the Earth NI and associates, druids, herbalists, campaigners, and eco-lawyers engaged with ancient Irish Brehon Law, that tells of the multiple stories running through the Lough, from a decolonial, more-than-human, and multi-species perspective.

 

The story of evolutionary biologist Lynn Margulis’s work on cyanobacteria, further entangles the microbial with the neoliberal at Lough Neagh, whilst helping to unpack the ideological construction of world views that bring us to a state of systems collapse today. Margulis's work challenges Neo-Darwinist concepts of competition and the selfish gene, offering instead a way to recalibrate human relations with nature, via an emphasis on symbiotic life, collaborative processes, and the understanding that organisms emerge in synthesis with the environment.

Follow the slurry, follow the money.

Once a site of great abundance, supplying (as it still does) 40% of all drinking water to NI, with eel fishing famously being passed down across generations over centuries, the complexity of how the Lough became eutrophic presents a textbook case in converging dynamics of power, influence, and conflicts of interest, that have also developed over decades, if not centuries, around Lough Neagh and the watershed. Whilst the work focuses on Lough Neagh, it speaks to much broader concerns regarding how environmental neglect affects both democratic processes, and public health, as neoliberal policies entangle with algae blooms.  The material emphasis on the nutrients in the lough, raises awareness, educates and empowers advocacy for more effective environmental regulations and democratic processes leading to establishing the Rights of Nature.

Systems Collapse.

The focus on the microbial scale holds the potential to lead to a paradigm shift in thinking; a gut feeling, even, as humans recalibrate a relationship to nature from a de-centred multi-species perspective. The story of evolutionary biology unpacks the converging ideological world views that bring us to a state of systems collapse today, and how thinking in systems i.e. ‘ecological thinking’ is now vital for our very survival.

 

Sonic Ritual workshop and live jam.

Rituals have acted historically, as early technological interfaces, scoring human / nature relationships, in very particular ways. The work emphasises listening and sound, as practices that can de-centre the human, amongst the vulnerable ecologies of Lough Neagh and the watershed.  

 

The Sonic Ritual live jam performance brings together Clarke with John D’Arcy and HIVE choir, where performing live together proposes new ways of ‘being’ in the world ‘with other species’. Foregrounding considerations of how human voice/s in a polyphonic approach might sit within the delicate ensemble of a multi-species perspective, to reflect the new calibration we are hoping to bring about: a new symbiotic calibration of humans and nature, whilst furthering a paradigm shift to a microbial scale.

MAKE KIN
NOT KINGS

'MAKE KIN NOT KINGS' was a social media post https://www.instagram.com/p/DIVzmseIjU-/ that then became the work below when installed in the gallery space. 

'MAKE KIN NOT KINGS' brings together Donna Haraway in synergy with Ursula K Le Guin, who’s salient quote about the divine right of kings seeming unchangeable, until it did… mirrors Lynn Margulis’ urgent demand that we move on from the Neo-Darwinist / Neoliberal ‘thought collective’ as she called it, that she encountered in resistance to her paper on symbiogenesis all those decades ago.  The underwater footage shows the dispersal of the algae blooms in the water column at Portlegnone 25.08.24. situated on the outskirts of Lough Neagh, Northern Ireland.  With thanks for assistance from Darragh Graham, and Navid Gornall.

PRINTS/DIAGRAMS
MAPPING THE FLOWS OF POWER

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Follow the Slurry, Follow the Money

Lough Neagh Neoliberal diagram of slurry,

showing flows of power and pollution

SONIC RITUAL
JOHN D'ARCY, HIVE CHOIR
AMI CLARKE

Sonic Ritual workshop and live jam.

Rituals have acted historically, as early technological interfaces, scoring human / nature relationships, in very particular ways. The work emphasises listening and sound, as practices that can de-centre the human, amongst the vulnerable ecologies of Lough Neagh and the watershed.  

 

The Sonic Ritual live jam performance brings together Clarke with John D’Arcy and HIVE choir, where performing live together proposes new ways of ‘being’ in the world ‘with other species’. Foregrounding considerations of how human voice/s in a polyphonic approach might sit within the delicate ensemble of a multi-species perspective, to reflect the new calibration we are hoping to bring about: a new symbiotic calibration of humans and nature, whilst furthering a paradigm shift to a microbial scale.

TWO YEARS RESEARCH AND DEVELOPMENT
ALONGSIDE FRIENDS OF THE EARTH NI

Field Research.

I was invited to join Friends of the Earth NI in the summer of 2023, and started a conversation, collective writing project, and several research trips to the Lough, over a period of 2.5 years. The collective writing project included conversations with many different people from differing perspectives and disciplines, with walks around the Lough's banks on several trips, that included being introduced to Druid and Herbalist cultures around the Lough.

 

Many ways of sensing the lough from alternative perspectives were explored, including video, sound, and data. The videos draw together the multiple temporalities and scales of a multi-species perspective, through collating: 4K aerial drone footage of the Lough, with 4K footage on top of the water when taken out by local people on boats, with 4K underwater footage also from the boat, as well as riverbanks and canals, and microscopic footage collected from several locations around the Lough where we identified the microcystis cyanobacteria. The deepest part of the Lough was explored with a hydrophone when kindly taken out on a boat early on in the project. I stayed on Ballyronan Marina, Lough Neagh, for two weeks in September 2024, working with scientists Dave Jewson, director of the internationally renown Limnology Lab, Lough Neagh, and Les Gornal inventor of the anaerobic digester.

 

​Shifting perspectives to the microbial scale

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Cyanobacterial remains of an
annulated tubular microfossil
Oscillatoriopsis longa

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Cyanobacteria: microcystis sample from Lough Neagh collected by Ami Clarke

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Transverse section of a dividing
cell of the Cynaobacterium Microcystis showing hexagonal stacking of the cylindrical gas vesicles

Petri dish wall photographs

of a fossil, sample, and diagram of cyanobacteria

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Ballyronan Marina September 2024 - field trip - Ami Clarke, David Jewson, Les Gornall, James Orr (Friends of the Earth)

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hydrophone audio recordings underwater at Lough Neagh

'sensing the lough'

field recordings - audio, video, monitoring of the cyanobacteria

PROSPECT COTTAGE: DEREK JARMAN RESIDENCY

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one way you look are Dungeness Nuclear Power Stations – now non-functional – one unexpectedly defuelled since 2021 – providing low carbon electricity since 1983

look the other way and there is Prospect Cottage and the amazing garden that Derek Jarman created, surviving in such seemingly inhospitable surroundings – an exceptional example of a wildlife habitat of shingle beach with communities of rare plants, insects and animals that are unique, precious and exceptionally fragile

where I spent a two week residency in September 2024 allowing me to further my enquiry into the cellular level of things: the microbial, the molecular, the nuclear

within the amazing context of Derek Jarman’s house and garden – which Tilda Swinton describes as his toolbox, and a battery

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MICROSCOPIC SITES FOR PERFORMANCE OF THE HOLOBIONT

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PANDEMONIUM: DO ANDROIDS DREAM OF?
BEYOND MATTER RESIDENCY: ZKM ART AND MEDIA KARLSRUHE
TALLIN ART HALL ESTONIA: IMMERSION EXHIBITION

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The work consists of:

  • VR environment with sound work (scroll down for 3D capture)

  • twitter bot @trackntracer, deployed as a ‘research assistant’

  • online dashboard on the Beyond Matter ZKM Karlsruhe site  https://pandemonium.beyondmatter.eu/

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PandemoniumVR (360 video) by Ami Clarke

 

360 degree capture from inside the VR - player pov

(please note that the actual VR environment is an immersive 3-dimensional space - the experience is not like a video at all)

THE UNDERLYING
LONDON OPEN 2022, WHITECHAPEL GALLERY
AREBYTE GALLERY COMMISSION 2019

The work conists of:

VR environment with sound work (scroll down for 3D capture)

twitter bot @trackntracer, deployed as a ‘research assistant’

online dashboard on the Beyond Matter ZKM Karlsruhe site  https://pandemonium.beyondmatter.eu/

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The work in The Underlying utilises live sentiment analysis of online news production and social media, relating to BPA’s (Bisphenol A*) to consider how surveillance, rather than a rogue element of capitalism, enmeshes with the effects of market forces upon the environment, happening at a molecular level.  

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arebyte gallery 2019

The Underlying - installation shots at arebyte gallery - close-up details of graphs, twitter feed / news analysis / pricing model, around 08.14

DERIVATIVE
PART OF THE UNDERLYING

Derivative by Ami Clarke - VR work with live sentiment analysis of BPA's in twitter and live news updates - live footage captured from visitors experience of the VR

Derivative by Ami Clarke - VR work with live sentiment analysis of BPA's in twitter and live news updates - live footage captured from visitors experience of the VR -  everyones experience of the work is slightly different due to the sentiment analysis software being ‘live’ data analysis of online media, and the twittersphere, at that moment in time, that then influences the amount of air borne particles you see during your journey.  

THE PROSTHETICS
PART OF THE UNDERLYING

The Prosthetics (ocular prosthetics, blown glass)

 

The Prosthetics are three sculptures made of ocular prosthesis – glass eyes – that cluster together, looking out from the corners of the galleries architecture.  Reminiscent of organic organisms, they draw reference from the Fates, the three sisters forced to share one eye between them.  Suggestive of the surveillance that drives data analysis, they also point to the limited resources of a dwindling biosphere, but also to the collective approach necessary to face the challenges ahead regarding environmental change.

 

The eyes were blown by a glass blowing expert in human glass eyes, usually involved in the production of human ocular prosthetics for medical purposes, in Germany. I then worked with another glass expert in the UK to produce the intricate organic cluster effect.  We spent four days cold-working the eyes with other blown glass spheres, at the National Glass Centre in Sunderland, to produce the three organic clusters.  

PHARMAKON
BPA MOLECULAR JEWELLERY
PART OF THE UNDERLYING

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MOLECULAR WEARABLE SCULPTURE

solid silver, powder coated finish to balls,

9cms, and 12cms longest point

—a pharmakon: part poison / part cure

Pharmacia (Pharmakeia) is also a common noun signifying the administration of the pharmakon, the drug: the medicine and/or poison… socrates compares the written text Phaedrus has brought along to a drug (pharmakon).  The pharmakon, this “medicine”, this philtre, which acts as both remedy and poison, already introduces islets into the body of the discourse with all its ambivalences…that which resists any philosopheme, indefinitely exceeding its bounds as nonidentity, nonessence, nonsubstance; granting philosophy by that very fact the inexhaustible adversity of what funds it and the infinite absence of what founds it. 

(Preciado, Testo Junkie, 145)

 

An amulet holding within it the potential for infinite plasticity, as a molecular spaceship with the capacity to forge a future engineered differently to the past. 

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